tag:blogger.com,1999:blog-8076721833628917268.post8000993260944037283..comments2023-03-24T04:18:00.199-04:00Comments on Drawing Madness!: Ligan SquareAndrewhttp://www.blogger.com/profile/18262476114387821096noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8076721833628917268.post-50677303379993323672009-08-20T10:55:20.353-04:002009-08-20T10:55:20.353-04:00Haha, I'd be careful when ya say "unlike ...Haha, I'd be careful when ya say "unlike the big wigs..." A lot of artists I know do try to do as much as possible. In fact, it seems more often than not that these days the penciller and the inker are one and the same (one doesn't need to look much farther than my own little blogroll to see a few people who exemplify this: Mathieu Reynes, Paolo Rivera, Guy Davis, Cheeks...)<br /><br />Your WIP page is looking pretty good! There's only two things I'm not crazy about -- The gradients, and the curtains(and, to a lesser extent, the hope chest in the hallway.) The gradient thing is just a personal distaste for it -- I like the idea of using digital tools to mimic traditional as close as possible, and when I ink, I strictly think that I have a pretty binary system to work with -- Either black or white. But stuff like grays, gradients, etc. can be made from that. Of course, it's just personal taste.<br /><br />The curtains though I think show a misunderstanding regarding fabric and how gravity affects it. When people draw curtains, you can always tell right away if they've observed fabric folds closely or not. You got the general idea down (Which, some people don't, which leads to the "lumpy potatoes behind the cloth" effect,) But the ink effects seem too mushy. In fact, compared to the rest of the inks, the curtain/window areas are really overworked. Since it's digital though, you can go back and simplify it down, and draw less attention to it.Andrewhttps://www.blogger.com/profile/18262476114387821096noreply@blogger.comtag:blogger.com,1999:blog-8076721833628917268.post-91680727779186842412009-08-19T09:47:19.622-04:002009-08-19T09:47:19.622-04:00Very nice Andrew. I like the sail boat! I think yo...Very nice Andrew. I like the sail boat! I think your inks look just as good digitally as they do traditionally. <br /><br />I am also digitally inking my comic and loving it. Actually, tbh, everything past the scanned in thumbnail is digital. It is just faster plain and simple. Sure there will be no original art, but I don't expect people to want to buy many indie comic artist original pages. Telling the story with a good comibination of visuals + word is what matters most. Hopefully just telling the story well will lead to other work like commissions etc. I am new to the comics thing, so I don't care about the whole saving face digital vs. traditional inking BS. You do what works and doesn't slow you down. Unlike the big wig artists, we do it all, start to finish. Who can blame you for finding and using shortcuts that still work. I don't think anyone who picks up your next book will even know, unless they ask, how you inked the book. <br /><br />Now some inker is going to hunt me down at a convention for saying all of the above, but oh well. Marc Deering already shunned me playfully on Twitter when I told him I have finally embraced digital inking. haha!<br /><br />Here is a sample WIP page I am working on: http://charlieharper.net/gallery/thedd/tdd_p1_diginks_6.jpg.Charliehttps://www.blogger.com/profile/04874272997668117110noreply@blogger.com