Friday, November 13, 2009
A quick little BC illo...
As Chris and I move to update the site and churn out issue 02, we still made plans to make sure our weekly content update continued. This little illustration of an Annelid is one of such updates that we've done when I was unable to update a page (between issues, or previously, when I was moving. Never for anything else!)
I wanted to talk about this piece because it's an example of happy accidents. Originally, it had a lightsource from above illuminating the creature. It was alright, but it felt like the drawing wasn't working to the best of abilities. So I took it out of Painter, moved it into Photoshop, and began playing with some layer modes. After some weird result of difference and/or exclusion, the light source became inversed, giving the drawing a much needed boost.
If you're ever stuck on a piece, (especially a digital one,) sometimes all you need is to change something dramatically on it, whether it be the color scheme, the lighting, etc. Often, happy accidents emerge which push you past the block, and gets you moving again.
Labels:
Border Crossings,
Concept,
Finished Stuff,
Technique
Monday, November 9, 2009
And so it begins...
Today, I sit down and begin thumbnailing the pages for Issue 02 of Border Crossings. This isn't the first itme I read through the script though. I received it a few weeks ago from Chris, and gave it a quick read to get an idea of the story and what I might have to draw. Without spoiling much, there's a lot of great stuff in it, and I think this issue will be much better than our first one (which I'm still proud of.) I've taken a lot of guesswork out of my process over the course of the first issue, so I expect things to go smoothly this time around.
When you read through a script, whether it be for comic books, or in preparation for storyboards, the more times you read through it, the better off you'll be. The biggest benefit you can have is it'll cut down on continuity errors throughout the story. I like to spend about a day reading and re-reading through the script, taking breaks occasionally to read the news or other articles online, look up some reference depending on what the script may call, and of course, draw. I'll start thumbnailing about halfway through the day, and revise it one or two times before I start doing my roughs.
The next couple of posts will be Border Crossings-centric, with some sketches and other goodies from the next issue. Stay tuned!
When you read through a script, whether it be for comic books, or in preparation for storyboards, the more times you read through it, the better off you'll be. The biggest benefit you can have is it'll cut down on continuity errors throughout the story. I like to spend about a day reading and re-reading through the script, taking breaks occasionally to read the news or other articles online, look up some reference depending on what the script may call, and of course, draw. I'll start thumbnailing about halfway through the day, and revise it one or two times before I start doing my roughs.
The next couple of posts will be Border Crossings-centric, with some sketches and other goodies from the next issue. Stay tuned!
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