A few watercolor sketches and a few sketchbook pages...
Another little paint study...like last time, it was done in Painter, and I focused on developing the light forms out of the dark. If there's three things I can take away from all this new stuff I've learned about painting (and still applying!) it would be these three things:
1) If you think your values are pushed enough, push them some more. Chances are you're lingering too much in the halftone (middle value), which is why your picture looks muddy. (I'm still struggling with one.
2) Don't paint objects. Paint shapes. (This rule alone has gone a long way for me in making me aware of how to paint stuff. Thank you, Richard Schmid.)
3) Don't paint/draw what you know, paint/draw what you see. This is something that I think a lot of beginners (myself included,) don't realize: If you think you know how to draw an arm, I guarantee you that you're forgetting 70% of the visual information (landmarks, how the form rolls, angles, shadows, etc.) Maybe after years and years of drawing it it'll become committed to memory (and even then you should still double-check once in awhile,) but until then, ALWAYS use reference to build your visual vocabulary. It's funny how often this gets overlooked.On a side-note, I'll be in Charlotte, NC for Heroes Con this weekend! As usual, I'll be selling sketches and issues of Border Crossings, as well as some watercolor pieces! Stop by table 336 (I'll be across the guys who make the terrific book Owly,) and say hi to me, Chris, and our tablemate Eric!
Or Frabel, as they're really called. It's a creature from Border Crossings (I've done sketches of them before,) done in watercolor and ink. I've been creating some small, 5 X 7 artworks for Heroes Con to sell, and this will be one of them.
Two studies done from still-life objects in photoshop. I've been thinking lately about ways to improve my skills, and what better way than to go back to basics? So here's some relatively simple shapes.
Like any other artist, gestures are an important exercise I keep up with. It's a great way to warm-up and get your mind into the right mode of thought, and it helps you hone your ability to not make your drawings suck or be as stiff as board planks.Even though doing gestures of everyday events and people (parades, malls, etc.) are a vital thing, for warm-up purposes it doesn't quite work out. There's not many options, to be frank, that can let you replicate the timed sessions a class or life drawing session gives you, beyond using a stopwatch and some self-control.That is, of course, until I found out about irfanview. I knew about it for sometime, but I didn't know it had a pretty damn extensive slideshow feature. This, coupled with the terrific photos from Character Designs, makes for an great way to get into a warm-up routine (To me, at least, it beats posemaniacs out of the water.)So to tie this all into some new art to post, here are some gesture sketches I did using this set-up, as well as a little dragon sketch I did the other day (if for no other fact than "How to Train Your Dragon" is still fresh in my mind.)
